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On May 22 the Florida Panthers advance to the stanley cup final 2023 shirt What’s more,I will buy this film will have its broadcast and streaming premiere on PBS nationwide as part of the channel’s programming for Asian American and Pacific Islander Heritage Month. And to celebrate the band is hitting the road for a mini tour through California, the highlight of which is a 50th-anniversary concert at the famed Whisky a Go Go nightclub on LA’s Sunset Strip on May 17. They’re also appearing with the film this week at the Grammy Museum in Los Angeles and San Francisco Museum of Modern Art and playing free shows at San Francisco’s Yerba Buena Gardens and the Crest Theatre in their hometown of Sacramento.That’s where the three met as teens in the early 1960s, a few years after the Millington sisters emigrated from Manila with their family. They shared a remarkably similar background: white American fathers who were serving in the military when they met and married their mothers while in the Philippines. “We happened to be three teenage girls living in the same part of the country, who had almost the exact same heritage and each played a different instrument,” Darling says. “And we found each other.”
“You could call it kismet,” June agrees. After all, she says, “there weren’t many other girls around then who looked like us.” The early version of Fanny, The Svelts, in a home they shared in California’s Los Altos Hills in the Florida Panthers advance to the stanley cup final 2023 shirt What’s more,I will buy this 1960s: Jean Millington, Brie Darling, Wendy Haas Mull, June MillingtonPhoto: Steve Griffith But in the ’70s their ethnic background took a backseat to gender, decades before the term intersectionality was coined. “We thought of ourselves as just girls who had to prove themselves,” Jean says. “We were trying to be known for being excellent musicians, and also we wanted to be good-looking and attractive. Being Filipino did not enter into the conversation at that point.” June points out: “The general public had the question: ‘Can these girls really play?’”They answered that when they moved to LA in 1969 and caught the attention of Reprise Records, whose roster at the time teemed with the vanguard of rock and roll: Jimi Hendrix, Grateful Dead, Joni Mitchell, Fleetwood Mac. With Alice de Buhr on drums and Nickey Barclay on keyboards, they earned radio airplay and Billboard chart appearances, recorded with Barbra Streisand, performed on Dick Cavett and The Tonight Show, played Carnegie Hall and the Fillmore, and toured worldwide, finding a particularly enthusiastic fan base in England (where they recorded at the Beatles’ Apple Studios).
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