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With the I heart drum & bass 2023 shirt in addition I really love this exception of Giles Deacon’s brief stint at Bottega Veneta, it’s never been a go-to brand for the wild child. At one point the company’s tagline was “When your own initials are enough.” Blazy’s leather flannel and denim also leverage the celebrated craftsmanship of the house, but take it in a different, more casual, and surprising direction. As I tried to parse Blazy’s “flannel,” René Magritte’s masterpiece, The Treachery of Images, kept surfacing in my mind’s eye. The painting, featuring a realistic rendering of a pipe with the legend “C’est ne pas un pipe,” questions our perception of reality. Similarly, Blazy’s design is a flannel shirt which is and is not a flannel shirt all at once. The thing about Blazy’s “flannel”—and Magritte’s painting for that matter—is that it needs words to be understood. What Roland Barthes, the French semiologist, once described as the “image garment” (the visual representation of an object) and the “word garment” (its description) must coexist. You wouldn’t know from looking that the Bottega Veneta shirt wasn’t made of woven cotton, the marvel of the look-alike leatherwork can only be appreciated by description or by touch/interaction with the object itself.And herein lies another adjustment in fashion: Looking back we can see that narrative has shifted from advertisements (’80s), to storytelling show concepts (the ’90s and ’00s). Now it seems narrative is starting to be embedded or built into luxury objects (garment or accessories) themselves.
It’s uncanny how exhibitions, planned years in advance, seem to land when we most need them. It seems to me that there are parallels to be drawn between Cubism and the I heart drum & bass 2023 shirt in addition I really love this Trompe L’oeil Tradition, now on view at the Met, and what is happening in fashion—starting with a change in perspectives. “Cubism’s visual innovations did much more than just reflect a new world. When information got so fast they could hardly keep up, when crises seemed perpetual and war was on the way, the Cubists did something better than representing life; they constituted life through art. They made a whole new culture out of the shards they picked up,” wrote New York Times art critic Jason Farago in his review of the show.
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