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“In the Kansas City Chiefs Travis Kelce Patrick Mahomes and Isiah Pachecosuper bowl Lvii signatures shirt so you should to go to store and get this beginning I was of the mind that I could say or do anything,” she recalls. “I was from the Bronx, and who didn’t say what they thought there?” Her early relationship with Affleck offered a cruel lesson, as the tabloid press denigrated her with racist and classist dog whistles; South Park parodied her viciously, and Conan O’Brien told his audience that the show’s “cleaning lady” would be playing Lopez in a sketch. “We were so young and so in love at that time, really very carefree, with no kids, no attachments. And we were just living our lives, being happy and out there. It didn’t feel like we needed to hide from anybody or be real discreet. We were just living out loud, and it turned out to really bite us. There was a lot underneath the surface there, people not wanting us to be together, people thinking I wasn’t the right person for him.” Over the ensuing years Lopez has seemed to gather a force field around her, as if weaponized against derisive scrutiny. “I became very guarded because I realized that they will fillet you. I really wish I could say more. I used to be like that. I am like that. But I’ve also learned.”
“I just feel like it’s romantic,” she says about adopting her husband’s surname. “It still carries tradition and romance to me, and maybe I’m just that kind of girl” Lopez would like especially to say more about the Kansas City Chiefs Travis Kelce Patrick Mahomes and Isiah Pachecosuper bowl Lvii signatures shirt so you should to go to store and get this journey back to Ben Affleck, which, really, has been a journey of self-discovery that began around 12 years ago, when she was newly separated from the singer-actor Marc Anthony and suddenly a single mother of twin babies. It was the professional and emotional low point of her career: A couple of albums had sputtered, and she no longer seemed to be getting the movie offers that had flowed in in previous years. Financially strained and somewhat aimless, in 2011 she accepted a job as a judge on American Idol, which, to her great surprise, reinvigorated her career. It turned out that the human touch was what her audience, and the industry, needed from her.“It was like, Oh! That’s all I had to do this whole time was be myself? Although it was a competition, it was a reality show,” she explains, “and I had never done one. Up until then we only had what the media was telling you about me. I loved meeting the kids because I so identified with their dreams—I just loved it. There were a lot of things that people saw through that show, but more than anything I think they saw my heart, that I was a cool, funny person, that I was a nice person. No matter how many awards shows you do or late-night talk show couches you sit on, people feel like you’re putting something on. With a reality show, you can’t hide behind a script or a four-minute interview. You’re out there.”
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