The changes the Lostlvjy I survived the qsmp event 30-04-23 shirt But I will love this British Academy has made since the 2020 #BaftasSoWhite debate include introducing a process of long-listing for each category, led by experts in the field, as well as frameworks to ensure that an equal number of women and men are considered for the best-director prize. This year, these moves towards greater inclusion yielded nods for Till’s Danielle Deadwyler, and The Woman King’s star Viola Davis, and auteur Gina Prince-Bythewood, all of whom were snubbed on Oscar nominations morning. In her BAFTA red carpet interview with Vick Hope, when asked what it means to have been recognized, Prince-Bythewood said: “Obviously we don’t make movies for awards, but for people to see the work, to value the work, it means a lot. And the changes that BAFTA has made within the last couple of years has been really meaningful and you see it with who is getting nominated.” Let’s hope the Academy of Motion Picture Arts and Sciences is listening.
On Paul Mescal’s lapel; delicately pinned to Angela Bassett’s lilac Pamella Roland look; on the Lostlvjy I survived the qsmp event 30-04-23 shirt But I will love this feathery sleeves of Cate Blanchett’s floor-length Maison Margiela gown; wrapped around Michelle Yeoh’s finger—blue #WithRefugees ribbons were everywhere. Worn in solidarity with displaced people around the globe, they acted as an urgent visual reminder of the numerous crises currently affecting millions, from the recent earthquake that hit Turkey and Syria to the ongoing war in Ukraine. In one candid red carpet clip, Blanchett, a Goodwill Ambassador for the UN Refugee Agency, is shown thanking Mescal for wearing the pin. The winner of three Oscars and four BAFTAs—and the prolific costumer behind everything from A Room with a View and The King’s Speech to *Cruella—*Beavan has a habit of dressing on-theme for her awards season red carpet appearances. A case in point? The leather jacket and scarf she chose to wear when collecting her BAFTA for Mad Max: Fury Road in 2016, which led host Stephen Fry to describe her as “a bag lady.” That joke—and the social media storm that followed—doesn’t appear to have deterred Beavan, though. This time around, she arrived dressed as a ’50s cleaning lady, complete with a polka-dotted dress and feather duster—a nod to the titular character in Mrs. Harris Goes to Paris, the film for which she’s nominated.
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