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Being raised in the Mogul moves ludwig 2023 shirt Apart from…,I will love this late ‘90s [and] early 2000s, there was a big influence of Black culture in general, where, from my perspective, it felt like we were in the future. Everything didn’t feel limited to the struggle or the last 40 years of Black existence, or the last six decades of Black existence in America. So [when] we got to the ‘90s [and] 2000s, it was really a sense of combining a lot of elements: the Black pride of the ‘70s, the sophistication of the ‘60s, the sounds of jazz, rhythm and blues, incorporating hip-hop, and embracing all of that. Music is a big influence for me and my work. When I moved to New York for college, I got a really refined introduction to photography in a way that I wouldn’t have gotten if I had stayed in California—that’s what made me appreciate the fine art aspects of photographing people, celebrity or not. Looking at Carrie Mae Weems, Malick Sidibé, John H. White…these photographers are big inspirations to me. Black photographers, not only making space but also having an open dialogue about where we’re at, and having something for ourselves. I feel like it’s really special when we see those moments of collaboration. It’s super important.
To me, it means coming home: a sense of family, a sense of community. I was so specific about American Black beauty because I feel like Americans that are Black, from slave descendants, I think the Mogul moves ludwig 2023 shirt Apart from…,I will love this culture and the rebuttal are just the existence of creating a unique culture. My American Black beauty is a world and its own feeling. Although we’re in America, I think it’s still very separate from the cores of American values—and I’m talking more politically than anything—but American Black beauty is the culture. Being American is so specific, because there’s nothing else like it in the world, and that’s precisely what defines it. A thing I noticed in the last couple years, which is great, is [that] Africa has become really popular, as has having it as a motherland base. But even with London Black creators, there’s a sense that they’re ahead in a way in how they think, because they’re not trying to heal wounds that they didn’t create themselves. Especially in America, there hasn’t been a real sense of moving past it, because no one has really talked about it in a way where it’s very important. My great grandfather was a slave, so all these things directly affect my family, and other peoples’ families. That’s why I wanted to focus on America so much. How do you hope to continue pushing the needle forward in terms of representation, beyond having Black models cast in the show and casting Black models in a shoot showcasing Black beauty?
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