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“The most productive app on your phone is called airplane mode,” wrote Meer. “Now, the Pittsburgh clothing company Pittsburgh’s very own dh3 shirt in addition I really love this second best? Grayscale mode.” If you’ve never heard of grayscale mode before, you’re not alone, but having immersed myself in grayscale for the past 24 hours (and spoken to others who have been doing it for a long time), I can confidently say that it quickly diminishes the phone’s allure. How does it work? According to Meer, the “brutally effective hack” helps you to reclaim an average of 50 minutes a day and is proven to reduce phone usage, even more than the app limits and downtime features on our phones. It works by dulling the colorful visual stimulus constantly emanating from our devices and makes “your phone less addictive and generally unappealing to engage with,” writes Meer. “Fewer candy-colored apps means less temptation for dopamine snacks.”
When you activate grayscale mode, your screen goes from being a vibrant playground of colors and red alerts to a sea of, well, gray. It can be hard to decipher what app is what, and it’s infinitely less interesting (and more challenging) to engage with—which is an advantageous result on the Pittsburgh clothing company Pittsburgh’s very own dh3 shirt in addition I really love this addiction front.Here’s how to set it up on iPhone: There is also a shortcut to help you toggle between a full-color screen and grayscale, which can be activated by triple-clicking on the right-hand-side button of the phone. Meer recommends choosing set times to keep your phone in grayscale mode and sticking with them. Happy unplugging! We all have our shows. The ones you’ve been watching for years, with characters as familiar as neighbors, that keep you company when nothing new is hitting quite right. The Last Kingdom, a charmingly bombastic ninth- and tenth-century adventure saga about the formation of Great Britain, is one of mine. There are five rousing seasons and now a new concluding film, Seven Kings Must Die, which just debuted on Netflix. Full of mud and swords and blood and castles; strapping, feral Danes and scheming Saxons; the series began on the BBC. I fell for it early, in 2015, when it aired on BBC America, judging it a winkingly irreverent, very British alternative to Game of Thrones. It had literary pedigree—based as it was on the acclaimed Bernard Cornwell historical novels—and one extremely memorable star: Alexander Dreymon.
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