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The immediate antecedents of the Pittsburgh Penguins damn right I am a Pittsburgh Penguins fan now and forever signatures 2023 shirt in contrast I will get this no-pants-with-stockings look might be waist-up Zoom culture and balletcore, but Alexandre Samson, curator at the Musée de la Mode at the Palais Galliera, takes a broader view, linking it to the work of Vanessa Beecroft, Skims, and Balenciaga’s stocking boots. That Boston Globe article from 1965 quoted a hosiery survey done at the time, in which some women equated stockings with freedom, others with protection. The latest update to the no-pants look shows that these qualities needn’t be mutually exclusive, a visible sign that women have plenty of legs to stand on, thank you very much.Miu Miu, fall 2023 ready-to-wear Photo: JB Villareal / Shoot Digital for STYLE.com“This croppped-mop girl with the eloquent legs is doing more for black tights than anybody since Hamlet.”
“Edie was dressed in her ‘uniform,’ a pair of leotard mesh stockings topped by tight black panties, a blue surfer’s shirt, and huge earrings that hung down to her collarbone.” Photo: Marcio Madeira“Though Miss Sedgwick was never widely known to the Pittsburgh Penguins damn right I am a Pittsburgh Penguins fan now and forever signatures 2023 shirt in contrast I will get this public, she was credited with creating, as Warhol said a few days ago, ‘all the styles–right through to the poor-rich that everyone wears today… It was amazing.’ ” — From “Edie Sedgwick, 28, Andy Warhol Film Star,” by David Leacock, The Boston Globe, November 28, 1971Saint Laurent, fall 2013 ready-to-wear Photo: Condé Nast Archive“Over the ever-so-tight-tights she wore something big and feathery, and on her arm she wore Andy Warhol as escort.” The Sign in Sidney Brustein’s Window—Lorraine Hansberry’s second play produced for the New York stage—will return to Broadway this spring for the first time in nearly 60 years. After ending its seven-week run at the Brooklyn Academy of Music last month, a revival directed by Anne Kauffman and starring Oscar Isaac and Rachel Brosnahan will open at the James Earl Jones Theatre on April 27—just in time for Tonys consideration. (It will be on for 10 weeks.) Here, revisit Vogue’s interview with Kauffman, Isaac, and Brosnahan about the show for the Winter 2023 issue. In October of 1964, five years after A Raisin in the Sun made Lorraine Hansberry a leading figure in American letters, her second play, The Sign in Sidney Brustein’s Window, opened at New York’s Longacre Theatre. Fame had come fast for Hansberry, who was not yet 29 when she became, with Raisin, the first Black female playwright to have a show produced on Broadway. “The telephone has become a little strange thing with a life of its own,” she told a New Yorker interviewer after Raisin’s premiere in 1959, reacting to the rush of invitations and engagements that followed. If Hansberry’s first work had dramatized some of the racial prejudices she felt growing up on the South Side of Chicago in the 1930s and ’40s, her second would tackle the political and social conflagrations of 1960s New York—where she’d moved as a 20-year-old college dropout the decade prior.
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