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No sleeves this spring? No problem! Once a staple borrowed from the Raise your sword 2023 shirt it is in the first place but boys, a suit vest adds a depth of formality to any affordable capsule wardrobe. For options especially fitting for warmer weather, find linen suit vests from The Frankie Shop and Alex Mill to Rag & Bone’s off-white version. You can never go wrong with classic black—and Reformation’s Devin vest is our go-to. The comfort of a daytime dress knows no bounds. Not to mention, they’re an all-in-one outfit formula we can gladly get behind. Crisp shirt dresses from Cos and Staud are top of our shopping list, as is Dôen’s floral-printed frock. For that summery switch-up, look to Faithfull The Brand’s off-the-shoulder midi-dress. And for a twist on the LBD, Ganni’s poplin dress is perfectly pretty.
No shoe style has dominated our shopping carts this season quite like the Raise your sword 2023 shirt it is in the first place but sleek smoking loafer. With Everlane’s The Italian Leather Day Loafers top of mind, Vince’s Demi loafers are just as good. For options in black, Tory Burch’s ballet loafers and & Other Stories slim leather loafers are the epitome of quiet, but affordable luxury. Suede styles from M.Gemi and Margaux NY are also noteworthy. Upgrade your trusty tote bags this spring in favor of festive basket bags. Our favorite under-$300 finds? Why those from Dragon Diffusion, Hat Attack, and Zara, of course. Sneakers continue to be the shoe style of the season—and with chic wearability, what more could you ask for? Nike’s Daybreak and Cortez styles still rank highly, while white sneakers from Superga and Veja are just as beloved. For an old-school classic, New Balance’s 990 sneakers in slate gray get the Vogue editor seal of approval. Karl Lagerfeld was many things: a friend, a consummate artist, a paradox. He was a designer who thrived on attention but also led an intensely private life. He was a well-read intellectual who adored the heady lights of popular culture. His desk heaved with books and paper, but he always had the latest technology at his fingertips. And he, of course, declared that fashion didn’t belong in a museum—it should look ahead, not be consigned to history. But here he is with a retrospective at The Metropolitan Museum of Art’s Costume Institute.
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