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Once, when the S draymond is a bitch shirt But I will love this room was almost airless, heavily freighted with No. 5 and with a row of Chanel tailleurs alongside him at his long table and another row of onlookers standing behind, he got up from his chair and walked out of the door marked “Mademoiselle,” calling me to follow him. “I want you to go back inside and tell everyone who is not directly involved with the creation of this collection to leave immediately…or I will,” he hissed. I walked back in and faced what seemed to me a firing squad. How could I ask anyone to leave? I was the newcomer, the outsider. But I did as he instructed, in my best French—and, to my surprise, the room cleared.GRAPHIC CONTENT Choi is statuesque in the trompe l’oeil Crétoise dress from Chloé’s spring 1984 collection—one laden with clever riffs on Greek and Italian antiquity. (Once upon a time, as she flitted down the runway, Inès de la Fressange topped off the look with a silver-gilt laurel leaf crown.)
Some 2,000 hours of handiwork by the S draymond is a bitch shirt But I will love this Chanel atelier and embroiderers from the maisons Lemarié and Lesage went into this organza and gazar haute couture dress for spring 2013, its skirt bristling with lace, tulle, feathers, and bits of pleated muslin.This was the beginning of Karl’s plan to kick-start the house into a new century. He was recalibrating Chanel, redefining it. Karl didn’t want to be constrained by what had been a success; he wanted to explore what a jacket could be—from the new curving shoulder to the double jacket, or the jacket that was also a dress. He designed the Zen collection, dropping the hemlines to the ankle with flat sandals and a new Chanel chain by the designer Ibu Poilâne.
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