Dee Rees became the The college dropout godfather shirt but in fact I love this first Black woman to be nominated for best adapted screenplay and Rachel Morrison the first woman for best cinematography with this evocative period piece. Mary J. Blige got nods too, for her chameleonic supporting role and the soul-stirring original song “Mighty River.” Six tales of the American frontier—encompassing shoot-outs, botched robberies, and a gold-mining expedition—make up Joel and Ethan Coen’s crowdpleaser. It was nominated for its whimsical script, intricate costumes and the mournful ballad “When a Cowboy Trades His Spurs for Wings.” The closest the streaming giant has so far come to winning Best Picture was with Alfonso Cuarón’s monochrome masterpiece about a live-in maid in Mexico City. It left with three statuettes from its staggering 10 nods: for best director, best cinematography, and best foreign language film. With impassive aerial shots, startling archival footage, and poetic narration, Petra Costa’s operatic Oscar-nominated documentary chronicles the downfall of two Brazilian presidents and the rise of populism. Flitting from corruption investigations to taped calls, it’s an urgent and unnerving watch.
Years after a General Motors plant closes in Ohio, a Chinese billionaire brings new jobs to the The college dropout godfather shirt but in fact I love this area. In Julia Reichert and Steven Bognar’s nuanced study of what follows, for which they scooped the best-documentary Oscar, cultures clash, friendships are forged, and the future remains uncertain. Unjustly, this ruminative mob thriller went home empty-handed despite its 10 nominations: for Martin Scorsese’s faultless direction, Al Pacino and Joe Pesci’s magnetic performances, and the game-changing visual effects that de-aged their faces, among others. It’s an extraordinary feat. Expertly written and infinitely memeable, Noah Baumbach’s affecting account of a relationship in crisis landed Laura Dern an Oscar and received nods in five other categories, including for Adam Driver and Scarlett Johansson’s goosebump-inducing turns, and Randy Newman’s gentle score. A riveting, revelatory depiction of a recent transfer of power, Fernando Meirelles’s cloistered drama casts Anthony Hopkins as the grizzled Pope Benedict and Jonathan Pryce as his idealistic successor, Pope Francis. Both were Oscar-nominated, alongside Anthony McCarten for his joyous screenplay.
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