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For you and Shonda, was that one of the Willie nelson stanford ca april 24 2023 frost amphitheater shirt and I love this main reasons for creating the show, to shine a light on those sorts of experiences that people continue to have? There were so many reasons to create it. In Bridgerton, Golda created this iconic character, this mixed-race woman who people saw as a queen, and that’s not something we really see. When I got the script for Queen Charlotte, I thought, When I was 15, did I ever see myself represented as a queen? Never. And this isn’t a story about misfortune—it’s about a Black woman who, against all odds, became part of one of the most powerful monarchies in the world. We don’t brush the subject of race under the carpet, either—we explore it. She is different but that’s not the issue—it’s society that needs to change. For me, it would’ve been an honor to be part of the Bridgerton universe anyway, but it’s even more special because this show lays the foundations for Bridgerton and shows us how that world became so diverse and beautiful. We also look at class, mental health, sexuality, and gender, and I feel like all of that is so important. It’s about shining a light on so many things that people have been feeling but maybe haven’t been able to voice.Amarteifio with Corey Mylchreest’s King George in the sixth episode of Queen Charlotte: A Bridgerton Story.
I’m so excited! I hope people love it. There is some apprehension on my part, because I don’t know what my life is going to look like after this, but I’m going into it with an open mind and no expectations. I just want it to come out at this point so that I don’t have to keep biting my tongue or saying something and then being like, “Please can that be off the Willie nelson stanford ca april 24 2023 frost amphitheater shirt and I love this record?” [Laughs]. I’d love to do some more theater, but I’m enjoying having a bit of a break at the moment after six months of quite intense filming. Right now, I’m learning the bass guitar—it’s a lot harder than I thought—and catching up on sleep. I feel like I’ve had a baby. Primavera. Printemps. Fruhling, even. Spring sounds good—feels good—no matter what language you say it in. Plants get it; they start to grow. And springtime makes me want to get out and look at a lot of art. Here are some of the best art shows of spring that I’m excited to see. The bottom is at the top of my list. “Rear View”—a show of about 40 paintings, drawings, sculptures, and photographs (the works) that navigate the human behind—has got my attention. A mix of historical and contemporary works and some made for the occasion, it’s the debut exhibition for LGDR (Levy, Gorvy, Dayan, Rohatyn) at its new flagship town house in the famous Beaux Arts–style Wildenstein building on 19 East 64th Street in Manhattan. Works by 20th-century masters—such as Felix Vallotton, Francis Bacon, Egon Schiele, and René Magritte—rub elbows with the likes of Yoko Ono’s notorious 1966–1967 anti–Vietnam War “Film No. 4 (Bottoms)” (of 365 human bottoms that she described as “string bottoms together in place of signatures for petition of peace”) and John Currin’s 2015 “Nude in a Convex Mirror.” Artists creating work for the show include Danielle McKinney, Issy Wood, Jenna Gribbon, Eric Fischl, and Francesco Clemente. Urs Fischer is making one of his candle sculptures based on the Metropolitan Museum of Art’s larger-than-life “Marble Statue Group of the Three Graces”—a copy of the Met’s Roman copy of the second-century BC Greek work. The butt is one of art’s tropes that goes back to antiquity—it pulls the chords of so many emotions, including voyeurism (which Hitchcock understood and captured so well in Rear Window). This is another example of a gallery that has the means, financial and intellectual, to present a museum-quality show and tell a good story.
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